platEU knjižnica

Na ovoj poveznici biti će dostupna lista raznorodnih studija, izvještaja, istraživačkih članaka i ostalih materijala koji se bave temama relevantnim za platEU projekt. platEU knjižnica će se redovno ažurirati. 

Knjige, članci i studije:

Ballon, Pieter i Evens, Tom (2014). The Platformisation of the Audiovisual Industry. Proceedings of World Media Economics and Management Conference (WMEMC) ‘Contemporary Media Industries – Geographical Issues’, May 12-16, 2014, Rio de Janeiro, Brazil.

Bilić, Paško (2016). Search Algorithms, Hidden Labour and Information Control. Big Data & Society, 3(1), 205395171665215.

Bilić, Paško i Primorac, Jaka (2018). The Digital Advertising Gap and the Online News Industry in Croatia. Medijske studije, 9(18), 62–80.

Bilić, Paško i Prug, Toni (2020). Google’s Post-IPO Development: Risks, Rewards, and Shareholder Value. Internet Histories.

Bouquillion, Philippe (2019). Digital Audiovisual Platforms, Between Transnational Flows and National Frameworks. U: George, Éric (ur.) Digitalization of Society and Socio-political Issues 1: Digital, Communication and Culture. ISTE Ltd and John Wiley & Sons.

Crémer, Jacques; de Montjoye, Yves-Alexandre i Heike Schweitzer (2019). Competition Policy for the Digital Era. Brussels: European Commission. Dostupno na sljedećoj poveznici.

Donders, Karen, i Pauwels, Caroline (2008). Does EU Policy Challenge the Digital Future of Public Service Broadcasting? : An Analysis of the Commission’s State Aid Approach to Digitization and the Public Service Remit of Public Broadcasting Organizations. Convergence: The International Journal of Research into New Media Technologies, 14(3), 295–311.

Duffy, Brooke Erin; Poell, Thomas i David B. Nieborg (2019). Platform Practices in the Cultural Industries: Creativity, Labor, and Citizenship. Social Media + Society. 5(4): 1-8. doi: 10.1177/2056305119879672

Ezrachi, Ariel i Stucke, Maurice E. (2016). Virtual competition: The promise and perils of the algorithm-driven economy. Harvard University Press.

Fontaines, Gilles (2021). The visibility of audiovisual works on TVOD. 2020 Edition. Strasbourg: European Audiovisual Observatory, dostupno na sljedećem linku.

Grece, Christian (2021). Trends in the VOD market in EU28. The report. Strasbourg: European Audiovisual Observatory, dostupno na sljedećem linku.

Hesmondhalgh, David (2021). Streaming’s Effects on Music Culture: Old Anxieties and New Simplifications. Cultural Sociology.

Hesmondhalgh, David (2020). Is music streaming bad for musicians? Problems of evidence and argument. New Media & Society. September 2020. doi:10.1177/1461444820953541

Johnston, Hannah; Caia Alina; Silberman, Michael “Six”; Ceremigna, Monica; Hernandez, Diego; Dumitrescu, Valerica (2020). Working on digital labour platforms. A trade union guide for trainers on crowd-, app- and platform-based work. Brussels: ETUI.

Richieri Hanania, Lilian i Norodom, Anne-Thida (ur.) (2016). Diversity of Cultural Expressions in The Digital Era. Teseopress.

Nieborg, David B. i Poell, Thomas (2018). The Platformization of Cultural Production: Theorizing the Contingent Cultural Commodity. New Media and Society. 20(11): 4275–4292.

Nieborg, David B. i Poell, Thomas (2019). The Platformization of Making Media. U: Deuze, Mark i Mirjam Prenger (ur.). Making Media: Production, Practices and Professions. Amsterdam: Amsterdam University Press, pp. 85-96.

Nieborg, David B.; Duffy, Brooke Erin i Thomas Poell (2020). Studying Platforms and Cultural Production: Methods, Institutions, and Practices. Social Media + Society. 6(3): 1-7. doi: 10.1177/2056305120943273

Niklas, Jędrzej i Lina Dencik (2020). European Artificial Intelligence Policy: Mapping The Institutional Landscape. Working Paper. Data Justice Lab. Cardiff: Cardiff University.

Pellicone, Anthony J.  i June Ahn (2017). The Game of Performing Play: Understanding Streaming as Cultural Production. U: ‘Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems (CHI ’17)’., New York: Association for Computing Machinery, 4863–4874. DOI:

Piasna, Agnieszka i Jan Drahokoupil (2019). Digital labour in central and eastern Europe: evidence from the ETUI Internet and Platform Work Survey. Brussels: ETUI.

Poell, Thomas; Nieborg, David B. i José van Dijck (2019). Platformisation. Internet Policy Review. 8(4). doi: 10.14763/2019.4.1425

Primorac, Jaka (2020). Film globally, work locally: factors influencing the effectiveness of the production incentive programme in the Croatian audio-visual industry, Cultural Trends, 29:4, 287-301, DOI: 10.1080/09548963.2020.1823820

Schäfer, Mirko Tobias (2011). Bastard Culture! How User Participation Transforms Cultural Production. Amsterdam: Amsterdam University Press.

Schäfer, Mirko Tobias i Karin van Es (ur.) (2017). The Datafied Society. Studying Culture through Data. Amsterdam: Amsterdam University Press.

Scholz, Trebor i Nathan Schneider (ur.) (2016). Ours to Hack and to Own. The Rise of Platform Cooperativism, a New Vision for the Future of Work and a Fairer Internet. New York & London: OR Books.

Srnicek, Nick (2016). Platform Capitalism. Wiley&Sons.

van Dijck, José; Nieborg, David B. i Thomas Poell (2019). Reframing Platform Power. Internet Policy Review. 8(2). doi: 10.14763/2019.2.1414

van Dijck, José; Poell, Thomas i David B. Nieborg (2018). The Platform Society. Public Values in a Connective World. Oxford: Oxford University Press.

Vlasis, Antonios (2020a). Online Platforms and Culture: The Winning Actors of the Great Lockdown?. Nº4, May, Global watch on culture and digital trade. CEIM/GRIC/FICDC.

Vlasis, Antonios (2020b). Governing Global Digital Trade in the Age of the Covid-19 Pandemic. Nº6, July, Global watch on culture and digital trade. CEIM/GRIC/FICDC.

Vlasis, Antonios (2020c). Global Struggle for Digital Tax and Level Playing Field. Nº7, September, Global watch on culture and digital trade. CEIM/GRIC/FICDC.

Vlasis, Antonios (2020d). European Union and online platforms in global audiovisual politics and economy: Once Upon a Time in America? International Communication Gazette. April 2020. doi:10.1177/1748048520918496

Vlasis, Antonios (2021a). Cultural Markets and Worldwide Activities of Online Platforms: A State of Play. Nº13, April, Global watch on culture and digital trade. CEIM/GRIC/FICDC.

Vlasis, Antonios (2021b). Policy and Economic Challenges for the Governance Ofonline Platforms. Nº14, April, Global watch on culture and digital trade. CEIM/GRIC/FICDC.

Woodcock, Jamie i Graham, Mark (2020). The Gig Economy: A Critical Introduction. Polity.

Bilić, P., Prug, T. i Žitko, M. (2021). The Political Economy of Digital Monopolies: Contradictions and Alternatives to Data Commodification. Bristol: Bristol University Press, doi:10.1332/policypress/9781529212372.001.0001

Burri, M. (2021). Data Flows versus Data Protection: Mapping Existing Reconciliation Models in Global Trade Law. U: Mathis, K., i Tor, A. (ur). Law and Economics of Regulation. Economic Analysis of Law in European Legal Scholarship, Vol. 11. Springer, Cham.

Butković, H. i Samardžija, V. (2019). The Digital Transformation of the Labour Market in Croatia/Digitalna transformacija tržišta rada u Hrvatskoj. Zagreb: IRMO.

Flew, T. (2022). Regulating Platforms. London: Polity Press.

Graham, M. i Dittus, M. (2022). Geographies of Digital Exclusion. Data and Inequality. London: Pluto Press.

Haidar, J. i Keune, M. (ur.) (2021). Work and Labour Relations in Global Platform Capitalism. Elgar Publishing.

Huws, U. (2016). Logged Labour: A New Paradigm of Work Organisation? Work Organisation, Labour & Globalisation, Vol. 10, No. 1., pp. 7-26.

Jarrett, K. i Wittkower, D. E. (2016). Economies of the Internet, First Monday, Vol. 21, Br. 10, 3/10/2016,, DOI:

Milosavljević, M., Poler, M. i Kerševan Smokvina, T. (2019). Net Neutrality in a “Peripheral” but Pioneering Country: Policy Processes, Consequences, and Developments in Slovenia, Medijska istraživanja, (god. 25, br. 1) (33-53), DOI: 10.22572/mi.25.1.2  

Montero, J. i Finger, M. (2021). The Rise of the New Network Industries. Regulating Digital Platforms. New York i London: Routledge.

Pitts, F. H. (2020). Measuring and Managing Creative Labour: Value Struggles and Billable Hours in the Creative Industries. Organization, DOI:

Poell, T., Nieborg, D. B. i Duffy, B. E. (2022). Spaces of Negotiation: Analyzing Platform Power in the News Industry, Digital Journalism, DOI: 10.1080/21670811.2022.2103011

Qu, S., Hesmondhalgh, D. i Xiao, J. (2021). Music Streaming Platforms and Self-releasing Musicians: The Case of China, Information, Communication & Society, DOI: 10.1080/1369118X.2021.1971280

Szczepanik, P. (2020). HBO Europe’s Original Programming in the Era of Streaming Wars. U: Barra, L., i Scaglioni, M. (ur.). (2020). A European Television Fiction Renaissance: Premium Production Models and Transnational Circulation. New York i London: Routledge.

Tchéhouali, D. (ur.) (2021). Impacts des algorithmes de recommandation des plateformes de streaming sur la protection de la vie privée des utilisateurs Canadiens. Rapport de recherche. ISOC – QUÉBEC|ALTER ALGO.

Urzì Brancati, C., Pesole, A., i Fernández-Macías, E. (2019). Digital Labour Platforms in Europe: Numbers, Profiles, and Employment Status of Platform Workers, Luxembourg: Publications Office of the European Union, DOI:10.2760/16653, JRC117330.

Valtysson, B. (2020). Digital Cultural Politics. From Policy to Practice. Palgrave Macmillan, DOI:  

Valtysson, B., Jørgensen, R. F., i Munkholm, J. L. (2021). Co-constitutive complexity: Unpack-ing Google’s privacy policy and terms of service post-GDPR. Nordicom Review, 42(1), 124–140.

Vandaele, K. (2021). Collective Resistance and Organizational Creativity Amongst Europe’s Platform Workers: A New Power in the Labour Movement? U: Haidar, J. i Keune, M. (ur.) (2021). Work and Labour Relations in Global Platform Capitalism. Elgar Publishing.

Vlassis, A. (2022). Cooperation Among Intergovernmental Organizations in Global Cultural Governance: Towards an Actor-centered Constructivist Approach, International Journal of Cultural Policy, DOI: 10.1080/10286632.2021.2014461

Wood, A. J., Graham, M., Lehdonvirta, V., i Hjorth, I. (2019). Good Gig, Bad Gig: Autonomy and Algorithmic Control in the Global Gig Economy. Work, Employment and Society, 33(1), 56–75.

Wood, A.J., Martindale, N. i Lehdonvirta, V. (2021) Dynamics of Contention in the Gig Economy: Rage Against the Platform, Customer or State? New Technology, Work and Employment, 00, 1– 21.

Yin, D. Y. (2020). Globalization and Media in the Digital Platform Age. New York and London: Routledge.

Yin, D. Y. (ur.) (2021). The Routledge Handbook of Digital Media and Globalization. New York and London: Routledge.

Službeni izvještaji i EU dokumenti:

Busch, Christoph; Graef, Inge; Hofmann, Jeanette i Gawer, Annabelle (2021). Final Report. Expert Group for the Observatory on the Online Platform Economy. Uncovering blindspots in the policy debate on platform power. Brussels: European Commission. Dostupno na:

European Commission (2010). Digital Agenda for Europe. Brussels: EU. Dostupno na:

European Commission (2015). Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions. A Digital Single Market Strategy for Europe. Brussels, COM (2015) 192 final. Dostupno na:

European Commission (2016). Promoting reading in the digital environment. Report of the working group of EU member states’ experts under the Open Method of Coordination. Dostupno na:

European Commission (2018a). Proposal for a COUNCIL DIRECTIVE laying down rules relating to the corporate taxation of a significant digital presence.

European Commission (2018b). Proposal for a COUNCIL DIRECTIVE on the common system of a digital services tax on revenues resulting from the provision of certain digital services.

European Commission (2020a). Proposal for a REGULATION OF THE EUROPEAN PARLIAMENT AND OF THE COUNCIL on a Single Market For Digital Services (Digital Services Act) and amending Directive 2000/31/EC. COM/2020/825 final. Dostupno na:

European Commission (2020b). Proposal for a REGULATION OF THE EUROPEAN PARLIAMENT AND OF THE COUNCIL on contestable and fair markets in the digital sector (Digital Markets Act). COM/2020/842 final. Dostupno na:

European Commission (2020). Study on the implementation of the new provisions in the revised Audiovisual Media Services Directive (AVMSD). Final report. Brussels: EU. Dostupno na:

European Political Strategy Centre (2019). Rethinking Strategic Autonomy in the Digital Age. European Commission.

Gomez Herrera, Estrella i Martens, Bertin (2015). Language, copyright and geographic segmentation in the EU Digital Single Market for music and film. Digital Economy Working Paper 2015-04. JRC Technical Report. Brussels: European Commission. Dostupno na:

Lechardoy, Lucie; Sokolyanskaya, Alena; Lupiáñez-Villanueva, Francisco (2021). Study on “Support to the Observatory for the Online Platform Economy”. Analytical paper #6. Analytical paper on the structure of the online platform economy post COVID-19 outbreak. Observatory of the Online Platform Economy. Dostupno na:

Europska komisija, (2021). COMMUNICATION FROM THE COMMISSION TO THE EUROPEAN PARLIAMENT, THE COUNCIL, THE EUROPEAN ECONOMIC AND SOCIAL COMMITTEE AND THE COMMITTEE OF THE REGIONS. Better working conditions for a stronger social Europe: harnessing the full benefits of digitalisation for the future of work. Brussels, 9.12.2021. COM(2021) 761 final.

Europska komisija, (2022). COMMUNICATION FROM THE COMMISSION TO THE EUROPEAN PARLIAMENT, THE COUNCIL, THE EUROPEAN ECONOMIC AND SOCIAL COMMITTEE AND THE COMMITTEE OF THE REGIONS. Establishing a European Declaration on Digital rights and principles for the Digital. Brussels, 26.1.2022, COM(2022) 27 final.

Poveznica na tekst odluke Komisije od 9. veljače 2022. o financiranju mjera o elektroničkim komunikacijama i usvajanju programa rada za 2022. Također sadrži prilog koji opisuje aktivnosti koje će se financirati te proračun za aktivnosti u 2022.godini: (pristupljeno 4/11/2022).

Mrežne stranice:

Europska komisija, Glavna uprava EAC, Obrazovanje, mladi, sport i kultura

Europska komisija, Glavna uprava CONNECT, Komunikacijske mreže, sadržaji i tehnologije

Europski parlament, Odbor za kulturu i obrazovanje

Europski parlament, Posebni odbor za umjetnu inteligenciju u digitalnom dobu

Kompendij kulturnih politika i trendova u Europi

Monitor medijskog pluralizma (MPM), Centar za medijski pluralizam i medijske slobode (CMPF)

Opservatorij ekonomije online platformi

Europska komisija, Program Digitalne Europe (DIGITAL):

Europska komisija, mrežna stranica o grupi eksperata za Observatorij o online platformskoj ekonomiji:

Online izvori:

Webinar “Where do we stand on the discoverability of cultural content in the digital environment in 2021?” održan 25.veljače 2021.godine u organizaciji Koalicije raznolikosti kulturnih izričaja (CDEC):

Online konferencija ‘The new Digital Services Act Package: a paradigm shift?’ održana 11.velječe 2021.godine u organizaciji Europskog Audiovizualnog Opservatorija:

Webinar ‘Digital Platforms and Public Policies’ (Prof.Ursula Huws, Prof. Sandro Mezzadra, prof. Guy Standing), 16.veljače 2021., u organizaciji projekta PLUS:

Virtualni simpozij ‘Platformed Creation: The World of Influencers, Content Creators, and Micro-Celebrities’, održan 16.listopada 2020.godine u organizaciji Stanford Ethnografskog laboratorija Sveučilišta Stanford:

Indeks Digitalne ekonomije i društva (DESI):

Webinar – Data Sovereignty in the Digital Decade – For a stronger digital Europe in the world (European Commission): (Zajednica Digital Decade Futurium organizirala je webinar sa stručnjacima i stvarateljima javnih politika o tome što podatke čini ključnom točkom programa politike Digitalnog desetljeća 2030.) (Listopad, 2022).