platEU knjižnica

Na ovoj poveznici biti će dostupna lista raznorodnih studija, izvještaja, istraživačkih članaka i ostalih materijala koji se bave temama relevantnim za platEU projekt. platEU knjižnica će se redovno ažurirati. 

Knjige, članci i studije:
  1. Ballon, Pieter i Evens, Tom (2014). The Platformisation of the Audiovisual Industry. Proceedings of World Media Economics and Management Conference (WMEMC) ‘Contemporary Media Industries – Geographical Issues’, May 12-16, 2014, Rio de Janeiro, Brazil.
  2. Bouquillion, Philippe (2019). Digital Audiovisual Platforms, Between Transnational Flows and National Frameworks. U: George, Éric (ur.) Digitalization of Society and Socio-political Issues 1: Digital, Communication and Culture. ISTE Ltd and John Wiley & Sons.
  3. Crémer, Jacques; de Montjoye, Yves-Alexandre i Heike Schweitzer (2019). Competition Policy for the Digital Era. Brussels: European Commission. Dostupno na sljedećoj poveznici.
  4. Donders, Karen, i Pauwels, Caroline (2008). Does EU Policy Challenge the Digital Future of Public Service Broadcasting? : An Analysis of the Commission’s State Aid Approach to Digitization and the Public Service Remit of Public Broadcasting Organizations. Convergence: The International Journal of Research into New Media Technologies, 14(3), 295–311. https://doi.org/10.1177/1354856508091082
  5. Duffy, Brooke Erin; Poell, Thomas i David B. Nieborg (2019). Platform Practices in the Cultural Industries: Creativity, Labor, and Citizenship. Social Media + Society. 5(4): 1-8. doi: 10.1177/2056305119879672
  6. Ezrachi, Ariel i Stucke, Maurice E. (2016). Virtual competition: The promise and perils of the algorithm-driven economy. Harvard University Press.
  7. Hesmondhalgh, David (2020). Is music streaming bad for musicians? Problems of evidence and argument. New Media & Society. September 2020. doi:10.1177/1461444820953541
  8. Richieri Hanania, Lilian i Norodom, Anne-Thida (ur.) (2016). Diversity of Cultural Expressions in The Digital Era. Teseopress.
  9. Nieborg, David B. i Poell, Thomas (2018). The Platformization of Cultural Production: Theorizing the Contingent Cultural Commodity. New Media and Society. 20(11): 4275–4292.
  10. Nieborg, David B. i Poell, Thomas (2019). The Platformization of Making Media. U: Deuze, Mark i Mirjam Prenger (ur.). Making Media: Production, Practices and Professions. Amsterdam: Amsterdam University Press, pp. 85-96.
  11. Nieborg, David B.; Duffy, Brooke Erin i Thomas Poell (2020). Studying Platforms and Cultural Production: Methods, Institutions, and Practices. Social Media + Society. 6(3): 1-7. doi: 10.1177/2056305120943273
  12. Niklas, Jędrzej i Lina Dencik (2020). European Artificial Intelligence Policy: Mapping The Institutional Landscape. Working Paper. Data Justice Lab. Cardiff: Cardiff University.
  13. Pellicone, Anthony J.  i June Ahn (2017). The Game of Performing Play: Understanding Streaming as Cultural Production. U: ‘Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems (CHI ’17)’., New York: Association for Computing Machinery, 4863–4874. DOI:https://doi.org/10.1145/3025453.3025854
  14. Poell, Thomas; Nieborg, David B. i José van Dijck (2019). Platformisation. Internet Policy Review. 8(4). doi: 10.14763/2019.4.1425
  15. Schäfer, Mirko Tobias (2011). Bastard Culture! How User Participation Transforms Cultural Production. Amsterdam: Amsterdam University Press.
  16. Schäfer, Mirko Tobias i Karin van Es (ur.) (2017). The Datafied Society. Studying Culture through Data. Amsterdam: Amsterdam University Press.
  17. Scholz, Trebor i Nathan Schneider (ur.) (2016). Ours to Hack and to Own. The Rise of Platform Cooperativism, a New Vision for the Future of Work and a Fairer Internet. New York & London: OR Books.
  18. Srnicek, Nick (2016). Platform Capitalism. Wiley&Sons.
  19. van Dijck, José; Nieborg, David B. i Thomas Poell (2019). Reframing Platform Power. Internet Policy Review. 8(2). doi: 10.14763/2019.2.1414
  20. van Dijck, José; Poell, Thomas i David B. Nieborg (2018). The Platform Society. Public Values in a Connective World. Oxford: Oxford University Press.
  21. Vlasis, Antonios (2020a). Online Platforms and Culture: The Winning Actors of the Great Lockdown?. Nº4, May, Global watch on culture and digital trade. CEIM/GRIC/FICDC.
  22. Vlasis, Antonios (2020b). Governing Global Digital Trade in the Age of the Covid-19 Pandemic. Nº6, July, Global watch on culture and digital trade. CEIM/GRIC/FICDC.
  23. Vlasis, Antonios (2020c). Global Struggle for Digital Tax and Level Playing Field. Nº7, September, Global watch on culture and digital trade. CEIM/GRIC/FICDC.
  24. Vlasis, Antonios (2020d). European Union and online platforms in global audiovisual politics and economy: Once Upon a Time in America? International Communication Gazette. April 2020. doi:10.1177/1748048520918496
  25. Woodcock, Jamie i Graham, Mark (2020). The Gig Economy: A Critical Introduction. Polity.
  26. Bilić, Paško (2016). Search Algorithms, Hidden Labour and Information Control. Big Data & Society, 3(1), 205395171665215. https://doi.org/10.1177/2053951716652159

  27. Bilić, Paško i Primorac, Jaka (2018). The Digital Advertising Gap and the Online News Industry in Croatia. Medijske studije, 9(18), 62–80.

  28. Bilić, Paško i Prug, Toni (2020). Google’s Post-IPO Development: Risks, Rewards, and Shareholder Value. Internet Histories. https://doi.org/10.1080/24701475.2020.1864959

  29. Primorac, Jaka (2020). Film globally, work locally: factors influencing the effectiveness of the production incentive programme in the Croatian audio-visual industry, Cultural Trends, 29:4, 287-301, DOI: 10.1080/09548963.2020.1823820

Službeni izvještaji i EU dokumenti:
  1. Busch, Christoph; Graef, Inge; Hofmann, Jeanette i Gawer, Annabelle (2021). Final Report. Expert Group for the Observatory on the Online Platform Economy. Uncovering blindspots in the policy debate on platform power. Brussels: European Commission. Dostupno na: https://platformobservatory.eu/app/uploads/2021/03/05Platformpower.pdf
  2. European Commission (2010). Digital Agenda for Europe. Brussels: EU. Dostupno na: http://eur-lex.europa.eu/legal-content/EN/TXT/?uri=uriserv:si0016
  3. European Commission (2015). Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions. A Digital Single Market Strategy for Europe. Brussels, COM (2015) 192 final. Dostupno na: http://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:52015DC0192
  4. European Commission (2016). Promoting reading in the digital environment. Report of the working group of EU member states’ experts under the Open Method of Coordination. Dostupno na: http://bookshop.europa.eu/en/promoting-reading-in-the-digital-environment-pbNC0116151/
  5. European Commission (2018a). Proposal for a COUNCIL DIRECTIVE laying down rules relating to the corporate taxation of a significant digital presence.
  6. European Commission (2018b). Proposal for a COUNCIL DIRECTIVE on the common system of a digital services tax on revenues resulting from the provision of certain digital services.
  7. European Commission (2020). Study on the implementation of the new provisions in the revised Audiovisual Media Services Directive (AVMSD). Final report. Brussels: EU. Dostupno na: https://ec.europa.eu/digital-single-market/en/news/study-implementation-new-provisions-revised-audiovisual-media-services-directive-avmsd?fbclid=IwAR2pxsMwsNtd7SG1Q-KLd0v5tkJbHASwGbYcG5OEo4NgpGwmJ4nwZgEkArE
  8. European Political Strategy Centre (2019). Rethinking Strategic Autonomy in the Digital Age. European Commission.
  9. Gomez Herrera, Estrella i Martens, Bertin (2015). Language, copyright and geographic segmentation in the EU Digital Single Market for music and film. Digital Economy Working Paper 2015-04. JRC Technical Report. Brussels: European Commission. Dostupno na: https://ec.europa.eu/jrc/en/publication/eur-scientific-and-technical-research-reports/language-copyright-and-geographic-segmentation-eu-digital-single-market-music-and-film
Mrežne stranice:
  1. Europska komisija, Glavna uprava EAC, Obrazovanje, mladi, sport i kultura https://ec.europa.eu/info/departments/education-youth-sport-and-culture_en
  2. Europska komisija, Glavna uprava CONNECT, Komunikacijske mreže, sadržaji i tehnologije https://ec.europa.eu/info/departments/communications-networks-content-and-technology_hr
  3. Europski parlament, Odbor za kulturu i obrazovanje http://www.europarl.europa.eu/committees/en/cult/home.html
  4. Europski parlament, Posebni odbor za umjetnu inteligenciju u digitalnom dobu https://www.europarl.europa.eu/committees/hr/aida/home/highlights
  5. Kompendij kulturnih politika i trendova u Europi http://www.culturalpolicies.net/web/index.php
  6. Monitor medijskog pluralizma (MPM), Centar za medijski pluralizam i medijske slobode (CMPF) http://cmpf.eui.eu/media-pluralism-monitor/
  7. Opservatorij ekonomije online platformi https://platformobservatory.eu/
Online izvori:
  1. Webinar “Where do we stand on the discoverability of cultural content in the digital environment in 2021?” održan 25.veljače 2021.godine u organizaciji Koalicije raznolikosti kulturnih izričaja (CDEC): https://www.youtube.com/watch?v=Efq3IELjiVY
  2. Online konferencija ‘The new Digital Services Act Package: a paradigm shift?’ održana 11.velječe 2021.godine u organizaciji Europskog Audiovizualnog Opservatorija: https://www.youtube.com/watch?v=eqFLGiTsnFQ
  3. Webinar ‘Digital Platforms and Public Policies’ (Prof.Ursula Huws, Prof. Sandro Mezzadra, prof. Guy Standing), 16.veljače 2021., u organizaciji projekta PLUS: https://www.youtube.com/watch?v=30BMy53n25w
  4. Virtualni simpozij ‘Platformed Creation: The World of Influencers, Content Creators, and Micro-Celebrities’, održan 16.listopada 2020.godine u organizaciji Stanford Ethnografskog laboratorija Sveučilišta Stanford: https://vimeo.com/478698465