platEU knjižnica

Na ovoj poveznici biti će dostupna lista raznorodnih studija, izvještaja, istraživačkih članaka i ostalih materijala koji se bave temama relevantnim za platEU projekt. platEU knjižnica će se redovno ažurirati. 

Knjige, članci i studije:

Ballon, Pieter i Evens, Tom (2014). The Platformisation of the Audiovisual Industry. Proceedings of World Media Economics and Management Conference (WMEMC) ‘Contemporary Media Industries – Geographical Issues’, May 12-16, 2014, Rio de Janeiro, Brazil.

Bilić, Paško (2016). Search Algorithms, Hidden Labour and Information Control. Big Data & Society, 3(1), 205395171665215.

Bilić, Paško i Primorac, Jaka (2018). The Digital Advertising Gap and the Online News Industry in Croatia. Medijske studije, 9(18), 62–80.

Bilić, Paško i Prug, Toni (2020). Google’s Post-IPO Development: Risks, Rewards, and Shareholder Value. Internet Histories.

Bouquillion, Philippe (2019). Digital Audiovisual Platforms, Between Transnational Flows and National Frameworks. U: George, Éric (ur.) Digitalization of Society and Socio-political Issues 1: Digital, Communication and Culture. ISTE Ltd and John Wiley & Sons.

Crémer, Jacques; de Montjoye, Yves-Alexandre i Heike Schweitzer (2019). Competition Policy for the Digital Era. Brussels: European Commission. Dostupno na sljedećoj poveznici.

Donders, Karen, i Pauwels, Caroline (2008). Does EU Policy Challenge the Digital Future of Public Service Broadcasting? : An Analysis of the Commission’s State Aid Approach to Digitization and the Public Service Remit of Public Broadcasting Organizations. Convergence: The International Journal of Research into New Media Technologies, 14(3), 295–311.

Duffy, Brooke Erin; Poell, Thomas i David B. Nieborg (2019). Platform Practices in the Cultural Industries: Creativity, Labor, and Citizenship. Social Media + Society. 5(4): 1-8. doi: 10.1177/2056305119879672

Ezrachi, Ariel i Stucke, Maurice E. (2016). Virtual competition: The promise and perils of the algorithm-driven economy. Harvard University Press.

Fontaines, Gilles (2021). The visibility of audiovisual works on TVOD. 2020 Edition. Strasbourg: European Audiovisual Observatory, dostupno na sljedećem linku.

Grece, Christian (2021). Trends in the VOD market in EU28. The report. Strasbourg: European Audiovisual Observatory, dostupno na sljedećem linku.

Hesmondhalgh, David (2021). Streaming’s Effects on Music Culture: Old Anxieties and New Simplifications. Cultural Sociology.

Hesmondhalgh, David (2020). Is music streaming bad for musicians? Problems of evidence and argument. New Media & Society. September 2020. doi:10.1177/1461444820953541

Johnston, Hannah; Caia Alina; Silberman, Michael “Six”; Ceremigna, Monica; Hernandez, Diego; Dumitrescu, Valerica (2020). Working on digital labour platforms. A trade union guide for trainers on crowd-, app- and platform-based work. Brussels: ETUI.

Richieri Hanania, Lilian i Norodom, Anne-Thida (ur.) (2016). Diversity of Cultural Expressions in The Digital Era. Teseopress.

Nieborg, David B. i Poell, Thomas (2018). The Platformization of Cultural Production: Theorizing the Contingent Cultural Commodity. New Media and Society. 20(11): 4275–4292.

Nieborg, David B. i Poell, Thomas (2019). The Platformization of Making Media. U: Deuze, Mark i Mirjam Prenger (ur.). Making Media: Production, Practices and Professions. Amsterdam: Amsterdam University Press, pp. 85-96.

Nieborg, David B.; Duffy, Brooke Erin i Thomas Poell (2020). Studying Platforms and Cultural Production: Methods, Institutions, and Practices. Social Media + Society. 6(3): 1-7. doi: 10.1177/2056305120943273

Niklas, Jędrzej i Lina Dencik (2020). European Artificial Intelligence Policy: Mapping The Institutional Landscape. Working Paper. Data Justice Lab. Cardiff: Cardiff University.

Pellicone, Anthony J.  i June Ahn (2017). The Game of Performing Play: Understanding Streaming as Cultural Production. U: ‘Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems (CHI ’17)’., New York: Association for Computing Machinery, 4863–4874. DOI:

Piasna, Agnieszka i Jan Drahokoupil (2019). Digital labour in central and eastern Europe: evidence from the ETUI Internet and Platform Work Survey. Brussels: ETUI.

Poell, Thomas; Nieborg, David B. i José van Dijck (2019). Platformisation. Internet Policy Review. 8(4). doi: 10.14763/2019.4.1425

Primorac, Jaka (2020). Film globally, work locally: factors influencing the effectiveness of the production incentive programme in the Croatian audio-visual industry, Cultural Trends, 29:4, 287-301, DOI: 10.1080/09548963.2020.1823820

Schäfer, Mirko Tobias (2011). Bastard Culture! How User Participation Transforms Cultural Production. Amsterdam: Amsterdam University Press.

Schäfer, Mirko Tobias i Karin van Es (ur.) (2017). The Datafied Society. Studying Culture through Data. Amsterdam: Amsterdam University Press.

Scholz, Trebor i Nathan Schneider (ur.) (2016). Ours to Hack and to Own. The Rise of Platform Cooperativism, a New Vision for the Future of Work and a Fairer Internet. New York & London: OR Books.

Srnicek, Nick (2016). Platform Capitalism. Wiley&Sons.

van Dijck, José; Nieborg, David B. i Thomas Poell (2019). Reframing Platform Power. Internet Policy Review. 8(2). doi: 10.14763/2019.2.1414

van Dijck, José; Poell, Thomas i David B. Nieborg (2018). The Platform Society. Public Values in a Connective World. Oxford: Oxford University Press.

Vlasis, Antonios (2020a). Online Platforms and Culture: The Winning Actors of the Great Lockdown?. Nº4, May, Global watch on culture and digital trade. CEIM/GRIC/FICDC.

Vlasis, Antonios (2020b). Governing Global Digital Trade in the Age of the Covid-19 Pandemic. Nº6, July, Global watch on culture and digital trade. CEIM/GRIC/FICDC.

Vlasis, Antonios (2020c). Global Struggle for Digital Tax and Level Playing Field. Nº7, September, Global watch on culture and digital trade. CEIM/GRIC/FICDC.

Vlasis, Antonios (2020d). European Union and online platforms in global audiovisual politics and economy: Once Upon a Time in America? International Communication Gazette. April 2020. doi:10.1177/1748048520918496

Vlasis, Antonios (2021a). Cultural Markets and Worldwide Activities of Online Platforms: A State of Play. Nº13, April, Global watch on culture and digital trade. CEIM/GRIC/FICDC.

Vlasis, Antonios (2021b). Policy and Economic Challenges for the Governance Ofonline Platforms. Nº14, April, Global watch on culture and digital trade. CEIM/GRIC/FICDC.

Woodcock, Jamie i Graham, Mark (2020). The Gig Economy: A Critical Introduction. Polity.

Službeni izvještaji i EU dokumenti:

Busch, Christoph; Graef, Inge; Hofmann, Jeanette i Gawer, Annabelle (2021). Final Report. Expert Group for the Observatory on the Online Platform Economy. Uncovering blindspots in the policy debate on platform power. Brussels: European Commission. Dostupno na:

European Commission (2010). Digital Agenda for Europe. Brussels: EU. Dostupno na:

European Commission (2015). Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions. A Digital Single Market Strategy for Europe. Brussels, COM (2015) 192 final. Dostupno na:

European Commission (2016). Promoting reading in the digital environment. Report of the working group of EU member states’ experts under the Open Method of Coordination. Dostupno na:

European Commission (2018a). Proposal for a COUNCIL DIRECTIVE laying down rules relating to the corporate taxation of a significant digital presence.

European Commission (2018b). Proposal for a COUNCIL DIRECTIVE on the common system of a digital services tax on revenues resulting from the provision of certain digital services.

European Commission (2020a). Proposal for a REGULATION OF THE EUROPEAN PARLIAMENT AND OF THE COUNCIL on a Single Market For Digital Services (Digital Services Act) and amending Directive 2000/31/EC. COM/2020/825 final. Dostupno na:

European Commission (2020b). Proposal for a REGULATION OF THE EUROPEAN PARLIAMENT AND OF THE COUNCIL on contestable and fair markets in the digital sector (Digital Markets Act). COM/2020/842 final. Dostupno na:

European Commission (2020). Study on the implementation of the new provisions in the revised Audiovisual Media Services Directive (AVMSD). Final report. Brussels: EU. Dostupno na:

European Political Strategy Centre (2019). Rethinking Strategic Autonomy in the Digital Age. European Commission.

Gomez Herrera, Estrella i Martens, Bertin (2015). Language, copyright and geographic segmentation in the EU Digital Single Market for music and film. Digital Economy Working Paper 2015-04. JRC Technical Report. Brussels: European Commission. Dostupno na:

Lechardoy, Lucie; Sokolyanskaya, Alena; Lupiáñez-Villanueva, Francisco (2021). Study on “Support to the Observatory for the Online Platform Economy”. Analytical paper #6. Analytical paper on the structure of the online platform economy post COVID-19 outbreak. Observatory of the Online Platform Economy. Dostupno na:

Mrežne stranice:

Europska komisija, Glavna uprava EAC, Obrazovanje, mladi, sport i kultura

Europska komisija, Glavna uprava CONNECT, Komunikacijske mreže, sadržaji i tehnologije

Europski parlament, Odbor za kulturu i obrazovanje

Europski parlament, Posebni odbor za umjetnu inteligenciju u digitalnom dobu

Kompendij kulturnih politika i trendova u Europi

Monitor medijskog pluralizma (MPM), Centar za medijski pluralizam i medijske slobode (CMPF)

Opservatorij ekonomije online platformi

Online izvori:

Webinar “Where do we stand on the discoverability of cultural content in the digital environment in 2021?” održan 25.veljače 2021.godine u organizaciji Koalicije raznolikosti kulturnih izričaja (CDEC):

Online konferencija ‘The new Digital Services Act Package: a paradigm shift?’ održana 11.velječe 2021.godine u organizaciji Europskog Audiovizualnog Opservatorija:

Webinar ‘Digital Platforms and Public Policies’ (Prof.Ursula Huws, Prof. Sandro Mezzadra, prof. Guy Standing), 16.veljače 2021., u organizaciji projekta PLUS:

Virtualni simpozij ‘Platformed Creation: The World of Influencers, Content Creators, and Micro-Celebrities’, održan 16.listopada 2020.godine u organizaciji Stanford Ethnografskog laboratorija Sveučilišta Stanford: